'One answer', Mouse declares, 'are car boot sales'. This seems a bit obvious to me and less than the usual Mouse insight. Treading carefully I suggest this is pretty obvious, and that of course they are going to become more popular when times are tighter. Smiling he nods ' but it's how you go about it, now is the time to be open minded and explore beyond your field'. I catch his drift, so what you are saying I venture, is that you need to be expansive, look for what there is, not just in your niche field and if you see something special go for it. 'Exactly' he adds with some satisfaction. 'You need to push the boundaries. Take Castle Coombe, a good booter by any measure. Here you can get a nice bacon sandwich, a new set of drill bits and a piece of early Spode all within a few feet. But you can also get the unique and the unusual. And it also gives you a chance to explore new fields and do a little research too.' I look quizical, so with a sigh he shows me a couple of finds. One thoroughly marked, one not. 'Take this' he says, ' a piece of sculpture?' Well it is very attractive I note, and well carved. What is it.
A sculpture found at Castle Coombe car boot fair (about 30cm high).
'This carving with the apparent title 'No man's Heath' is by Jeff Aldridge'. He explains it is a model for a statue placed at No man's Heath, Malpas south of Chester erected in 1998. Jeff Aldridge is an interesting sculptor and painter. He has worked in the third World as an educator and this influences his work. Known as the Celia Fiennes Waymark it celebrates the life and times of a journey undertaken 300 years earlier which passed through here.
Celia Fiennes is a fascinating individual. She was born in 1662 at Newton Toney, Salisbury, and died in 1741. She made two remarkable and annotated journeys, probably for health reasons, through Northern England and Scotland. She records the great innovations of the day, the local specialities in production and the great houses: remarkable for the time. She has been highlighted by Southey and her work, whilst less refined than Defoe, pre-dated it. An unsung figure of which the sculpture at No mans Heath and this design are the only public tributes.
The Sculpture at No man's Heath courtesy of Cheshire West and Chester Council
'You must keep your eyes open for the decorative' Mouse continues, 'there are some charming finds. This poster cost just a few pounds. But look at the opportunities to learn', he leads me further down the path. 'Here we have a clearly Victorian themed poster with a hymn, 'Nearer My God To Me' advertising a local store'. The hymn was written in the mid 1880's. It was sung at the sinking of the Titanic in 1912. The poster was printed in Scotland, supplying goods from Scotland to an agent in Wales.
Ystrad Mynach is a small town in Wales north of Caerphilly. A formerly rural place greatly affected by the industrial revolution and mining. This poster dates from when the change is taking hold. This period was to last until the Penallta Colliery closed in 1991 although mining was fading by the 1980's.
A Mining disaster memorial at Ystrad Mynach Courtesy of Public Monument and Sculpture Association National Recording Project
The cost of a suit is quoted as from 21s. This is pretty competitive pricing. According to "Life on a Guinea a Week" in The Nineteenth Century (1888) where the average price of a suit in 1888 was nearly double this although we have to bear in mind what 'average' means in this context. Lower middle classes could easily pay less than this. This also gives us another clue as to date. This advertises Campbell's Perth Dye Works which was one of two dye works in Perth, this one was destroyed by fire in 1919 and amalgamated with the other, Pullar's Dyeworks. (Hume, J R (1977a) The industrial archaeology of Scotland, 2, the Highlands and Islands London)
This is a chromolithograph produced by Maclure, Macdonald and Company, who were print makers to Queen Victoria. They pioneered the use of impressed graining to match the stones used in chromolithography. Chromolithography involved the use of a wax relief and multiple passes for different colours in order to produce the final image.
Now I understand; from the 17th to the 20th century via the boot of a car. 'So much to learn' Mouse mutters, 'I need energy'. He settles down for a well earned supper, lightly cooked asparagus, fresh eggs and a nice glass of red. 'There are times when even collecting and history should take a back seat', he says with a twitch of his whiskers. He could well be right...